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CLASSICAL
PHOTOGRAPHY |
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A bit about portrait sessions
And the whys of cropping
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Here's a full-length bridal portrait, with a bit of room
around the subject to show some of the lovely character of the environment.
We also wanted to show the overall effect of the dress, veil, tiara, and
rose, not to mention our beautiful young lady! Incidentally, it was actually
quite cold - very near freezing - and she was a real "trouper"
to go through with it. Yes, she's a real bride, not a professional model!
Now let's take a look at what can be done from the same negative (shot on
medium format film):
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Here is the same shot, cropped to a three-quarter view. In
the course of a portrait session, or in covering the planned photography
for a wedding, we will generally take a variety of shots from different
perspectives, to show the background and to move in for emphasis on certain
details. In this case, we are using one shot to demonstrate the possibilities
that are opened by using medium format equipment and professional film.
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| Finally, here is the same image
again, cropped to a "head shot". The full-length portrait makes
quite an impression as a 16x20 print, but we can also create an intimate
and charming 8x10 by choosing what part to print.
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All
images copyright © Classical Photography
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Cropping doesn't just mean blowing up the center of a picture.
In the case of groups or candid shots, an image is sometimes plucked from
the edge or corner of a frame. Of course, we try to compose each shot carefully
when we make it, so that most often minimal or no cropping at all is needed.
Still, it is a useful option.
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| Of course,
the shape of an image can be varied as well. You will
find examples of squares, rectangles, ovals and circles throughout
our web site. The placement of the main subject within the image
frame also has a considerable effect on the impact of the photograph.
In our custom albums, we like to mix these possibilities, to keep
visual interest on each page. |
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